Identity is what is at the center of Qatar’s modern culture where they are trying to blend heritage-rich nation and legacy of the modern world. It can be observed in its architecture, fashion, and national identity as a whole where they do not shy away from adorning anything. And the further they look ahead, the more original is the combination of all those evidence they want to be an appropriate way towards the cultural heritage but have something new.
Qatar vision of architecture in the future is more advanced construction but as far as innovation in the tradition and modernization are concerned. The future architects used the desert climate and Qatari culture equally to inspire them not only to create buildings with incredible appearances but also an environmental consciousness. The Museum of Islamic Art and National Museum of Qatar, for instance, are testimonies to the architect’s skill to take up tradition and also contemporary inclinations. In the process of doing so, he or she attempts to connect the past of Qatar and, in so doing, attempt to send a message for tomorrow.
Fashion also plays a central role towards this fashion return to culture. Qatar has now been positioned as a fashion hub that captures the elegance of the ancient dress as well as the budding fashion. The local designers’ style today is trying to mix the material and the traditional form in their design, fusing the international fashion with the traditional Qatari dress. They use the art to produce designs that represent the successful diversification across the Arab world, which is essentially flowing material with elaborate designs. This fusion not only builds their identity but also drives Qatari fashion to the global fashion world that’s friendly to everyone.
Worth mentioning is the contribution made by production works like the Doha Fashion Week. It has provided space for designers of regional and national origin to open up their imagination and invites collaboration between artists. They want to promote local talents since they are borrowing traditional forms to present innovative design and act as a middle path between fashion, architecture, and identity. They look for talents from the local base and recognize them, and they provide a platform where creativity can be expressed.
With this new form and structure, there is greater investment on the Qataris’ behalf in identity by conquest into society. They are reconciled more easily now to reconcile the manner of defining and representing national identity by seizing hold of artistic and architectural forms through the means of art and building. Public ceremonies, promenades, and festivals between buildings also instruct residents and visitors in the building of a Qatari sense of place. They are not cosmetic skin-deep; they are an adaptive invented sense of community on values and shared experiences.
To that degree, the future direction of Qatar is in the shape of an eclectically constructed one whereby architecture, design, and identity converge on several planes. By being involved in design simultaneously by designers as well as by architects and accompanied by an equal reverse is a crowd that reacts, they are going to be the trendsetters to the same ratio the art of expression moves in the world. This not only maintains the grandeur of Qatar’s past but also provokes future development up to the status of the nation’s identity on the world map.
